Regarding the psychological factors involved in entertainment and its private and public forms
Entertainment has numerous facets and might take the form of something personal or private or something more universal and public. Playing with our friends is a sort of entertainment that is personal, but watching a movie on the television is more of a communal experience that we share with many other people. There are certain distinctions between how we interpret private and public forms of entertainment since personal entertainment is always influenced by personal relationships, personal experiences, and our personal worldview.
There seems to be this fundamental conflict since all private kinds of entertainment are more interactive and public forms of entertainment are more individualised and private. The more general and public types of entertainment are less interactive. The interaction patterns between artists and spectators in any public entertainment situation stay under rigid restrictions and boundaries, however television programmes have increased audience participation in the programme.
Our yearning for fantasy and an escape from the actual world are satisfied by entertainment. This is particularly true for entertainment that is more accessible to the general public or delivered by the media, as well as entertainment offered through films, plays, music, and all other forms of creative art. Theatre and film captivate us and transport us to fantastical worlds, keeping us interested and making us feel as though we are a part of this alternate reality. The psychology of entertainment may also be used to explain the extreme celebrity culture frenzy that exists in the current world. Entertainment may also take the shape of magazine stories, gossip, or even celebrity culture.
Celebrities seem to unlock a world of fantasies, and for some, keeping up with their every move would almost be like engaging in their fantasies. As a means of escaping from the realities of life, fantasies are therapeutic and assist in overcoming frustration. Real emotions and real life are difficult, but entertainment allows us to escape these realities and stressful situations by engaging in calming illusions in which we don’t have to actively engage but can yet take an implied or passive part.
Reading, watching, or engaging in any other form of creative expression is similar to relaxing in a reclining chair equipped with massage technology. When it comes to entertainment, we engage practically passively, and even if we may be fully awake and alert while watching a movie, this provides the impression that we are not participating since we are not given the chance to voluntarily enter the situation. Anything that makes us feel good could be categorised as entertainment, yet it can also make us feel bad, as when we cry during a movie because we become emotionally invested in the characters.
Despite this intense emotional involvement, there is little to no physical activity required on the part of the viewer. Entertainment can elicit emotional involvement and emotional emotions such as delight, grief, worry, and terror. The major draw of entertainment is this active-passive process since it allows us to be both active (in terms of emotion) and passive (in terms of voluntary physical or mental involvement). Films and other types of entertainment can have an impact, but they do it subtly rather than overtly, and this subtle influence seems to have a greater impact on people’s minds than any forceful forms of influence. Even though both include some level of emotional commitment, we view work as an obligation and entertainment as a pleasure. Working simultaneously involves voluntary engagement, voluntary decision-making, physical involvement, emotional involvement, and bodily involvement.
But why is pleasure seen as a way to unwind and work as something heavy? The solution is unpredictable. Most of the time, we may not even know what to expect from a movie or a music video when it comes to entertainment. Because we cannot anticipate what emotional states will be produced during this mental excursion, this unpredictability piques our attention. Usually, entertainment involves some kind of intellectual or emotional challenge. When we are aware of a movie’s plot, our desire to see it again is motivated by an emotional sense of familiarity. If playing a video game made us feel happy or made us aggressive or competitive, we might continue to feel that way when playing another one. These sources of entertainment risk becoming compulsive if they are overused.
Returning to the distinction between work and play, despite the emotional involvement, we are not responsible for anything in entertainment, and there is no problem-solving or decision-making, which is why entertainment in all of its forms is so pleasurable because the right brain activities of decision-making and the cortical regions of the brain are not fully activated yet the plurilateral cortex is.
Although humans are rational beings, emotions nevertheless seem to govern our lives and constitute the foundation of our existence since they continue to motivate us to take actions that may go against our better judgement. The fact that entertainment mostly evokes emotions rather than stimulating thought has a significant effect on people’s lives. The phases of enjoyment of any form of entertainment can change from interest to emotional connection to addiction. The decline in entertainment enjoyment is directly responsible for the emergence of the celebrity culture. For more details https://24rozrywka.pl/
